The traditional film production/distribution model is dramatically shifting, yet with change comes opportunity.  As in the fields of music and publishing, the Internet has opened up new avenues to promote market and create a buzz for your film.  Whereas traditional public relations is still a critically important aspect of any film marketing campaign, it’s one tool in your overall marketing and promotion kit.  PR includes reviews, interviews, and feature stories in print radio or TV.  Now add to the mix online marketing, including blog postings, article marketing and creating a presence in the social media world.

Being covered in the media is important because it offers you and your film the credibility and validation of being featured in the news.  It helps create a buzz and builds a reputation for you and your film.   Media coverage also separates your filmfrom the competition, which is incredibly important.

My one caveat here is to think long and hard before submitting your film to be reviewed by the major entertainment trade publications.  Those reviewers are used to being courted by the major studios and reviewing multi-million dollar films.  Not that some of them can’t see beyond the budget constraints of a true independent and judge a film on its own merits, but it is a risk.  As a small indie film without a name cast your chances of being reviewed without a distribution deal are slim, and not always that much better with distribution.  Beyond that getting reviewed and possibly torn to shreds in one of the major trades can do you more harm than good.  Distributors are seldom going to jump at the chance to carry a film that has been publicly humiliated.  Shoot for features or stories about your film, or the filmmaking process.  Check out my article on film PR for suggestions.  Once you do get some media coverage, now go online and amplify it.

In the early 1920s in the US, five major american film studios – Paramount Pictures, Twentieth Century Fox, MGM, RKO and Warner Brothers came together to take control of the production, distribution, and exhibition of films that were produced outside of Hollywood, and that was how the concept of independent film or indie film came into being. So Independent film is essentially a film that is produced outside the Hollywood studios but are controlled by the above five biggies.


Indie films have come a long way since its commencement. Today, they are generally considered as american films whose finance and distribution is being taken care by these big studios and their subsidiaries. Major part of the independent film industry is in New York City. There, some studios which are subsidiaries of larger studios – for example, Sony Pictures Classics is designed to develop less commercial, more character driven films, is owned by Sony Pictures. Similarly Fox Searchlight is a subsidiary of 20th Century Fox.


In addition to these higher profile independent studios, other smaller productions companies produce independent films every year. These smaller companies try for releasing their films regionally to the theatres or for additional financing and resources to distribute, advertise and exhibit their project on a national scale. However, due to the advanced technology, high quality digital film equipments available at the consumer level, independent filmmakers are no longer dependent on major studios to provide them with the tools they need to produce a film. Even with the help of non-linear editing and other software available post production has also been simplified.

A creative mind is a low budget filmmaker’s most valuable tool. It all starts with an original thought; from there it is all about nurturing that thought until it grows to be a brilliant idea. After that it is a matter of getting that idea made into a movie using every ounce of energy and resources you can possibly muster up.

Most of the successful films that are showing at film festivals these days are movies that were made at a fraction of the cost that it takes to make a major Hollywood studio film. Advances in technology have made it so that just about anyone can make a movie. Film cameras, video cameras, sound recording equipment, and just about any other kind of equipment that one needs to make a movie can be purchased at very affordable prices these days. The equipment that is available these days can provide a very low budget movie with a production value that looks like James Cameron had something to do with the project. This professional look coupled with a unique story can help any film’s chances at being accepted into film festivals like Houston Worldfest, Cannes, Toronto Film Festival, Sundance Film Festival, etc…

If you are one of those people who went to film school and still cannot understand why they did not teach you how to get a job in the film industry, then I suggest that you stop complaining, gather up all the creative, hard working film production people you know, make yourself an independent film and enter it in some film festivals. If you win an award at a prominent film festival your life may change very dramatically for the better. Even a small award at a small film festival will more than likely set you on the path to having a career in the film industry.


Most people attend film schools with big dreams of working in the Hollywood film industry and possibly even making a name for themselves. They have visions of red carpet interviews, Academy Awards acceptance speeches and stars on the Hollywood Walk of Fame. However, most of them will never see those dreams come to fruition and they will face endless frustration and disappointment instead.


After graduating from film school most people are expected to break into a business that is considered to be one of the most difficult in the world to find employment, unless you have connections, of course. For the ones without connections, it can be very frustrating. Unfortunately for them, the Hollywood film industry is run by a tight knit community that practices nepotism and rarely opens the door to newcomers.