In the last two weeks in October, I have been on a magical world tour that included the US, France, Italy, South Africa, South Korea, Taiwan and India, to mention a few. But as all these countries came to me in London, I only had to travel to London. Before you all wonder if I have gone crazy, let me tell you that the Times BFI 51st London Film Festival made it possible! There were around 184 feature films and 133 short films from 43 countries, shown at various venues in London. The Festival Started on 17 October, with the opening night gala showing David Cronenberg’s ‘Eastern Promises’ and finished on 1 November, with the closing night gala showing Wes Anderson’s ‘The Darjeeling Limited’, a train voyage across India. Few films from the festival are reviewed below and I hope you enjoy the tour as much as I did.

The Diving Bell and the Butterfly: Julian Schnabel/France.

What does one say after witnessing such brilliance! Perhaps, ‘Thank God for the London Film Festival’, without which I could not have seen this most wonderful French film! Brilliance in performance, acting, photography and technical details were evident through the film, making it totally gripping to the very end. The directorial skill was at its best in the restrain showed at the most crucial moments. The film is based on a true story. J D Bauby, the editor of French Vogue suffered a stroke and the film starts as he comes out of a coma after 20 days. He was diagnosed with a rare ‘locked in syndrome’, which left him with his memory and only the movement of his left eye! With the help of the speech therapist, through the alphabet of blinking, he tells his story which became a best seller.

 

In the early 1920s in the US, five major american film studios – Paramount Pictures, Twentieth Century Fox, MGM, RKO and Warner Brothers came together to take control of the production, distribution, and exhibition of films that were produced outside of Hollywood, and that was how the concept of independent film or indie film came into being. So Independent film is essentially a film that is produced outside the Hollywood studios but are controlled by the above five biggies.


Indie films have come a long way since its commencement. Today, they are generally considered as american films whose finance and distribution is being taken care by these big studios and their subsidiaries. Major part of the independent film industry is in New York City. There, some studios which are subsidiaries of larger studios – for example, Sony Pictures Classics is designed to develop less commercial, more character driven films, is owned by Sony Pictures. Similarly Fox Searchlight is a subsidiary of 20th Century Fox.


In addition to these higher profile independent studios, other smaller productions companies produce independent films every year. These smaller companies try for releasing their films regionally to the theatres or for additional financing and resources to distribute, advertise and exhibit their project on a national scale. However, due to the advanced technology, high quality digital film equipments available at the consumer level, independent filmmakers are no longer dependent on major studios to provide them with the tools they need to produce a film. Even with the help of non-linear editing and other software available post production has also been simplified.

 

There are many reasons, issues and circumstances that can be associated with missed music lessons and classes. Though these incidents have been saddening and frustrating to most dedicated music teachers, such really inevitably happen. There is only one key to resolve this conflict: the Power of MOTIVATION.

Consequently, various music teachers’ resources and tips, which are designed and intended to motivate students attend their music lessons and classes regularly, have been made readily available online. There are some reliable and objective websites that can certainly provide music teachers some great resources to modify and develop their music teaching strategies.

Since you have gotten into this page, your willingness and urge to adopt music teaching resources and tips seem to be intense and obvious. Well, you are on the right track; this article tends to give you some helpful tips and resources in teaching music more effectively and efficiently.

Motivate Young Minds
Motivation is the key issue to gauge how exactly students learn. A music teacher may be puzzled or even worried when it seems to him that his students lack self-motivation. With that thinking, he must know the motivational needs of his students.

Motivation may come from the teacher himself or from the learning environment. What matters here is the students would be encouraged to attend classes with much determination and perseverance.

 

 

Laura Silverman / Heather Connor

The Silverman Group, Inc.

312.932.9965 / 312.932.9911

laura@silvermangroupchicago.com

 

Lori Hile

Chicago International Film Festival

312.683.0121 ext. 103

publicity@chicagofilmfestival.com

The 44th Chicago International Film Festival, October 16 – 29, 2008, presented by Cinema/Chicago, will offer moviegoers the best new films from around the world, with several exciting additions, including a “Festival Village” and the launch of Green Screen, a program celebrating our natural environment, the power and artistry of filmmaking, and the intersection between the two. In its fifth decade, the Festival continues to present special appearances by legendary international actors and directors, along with the impressive film line-up for which the Festival is known. Audiences this year will be captivated by 116 feature films, 38 short and student films, and 18 documentaries from more than 45 countries, showcasing both established and promising new filmmakers. “

 

For 44 years, we’ve been committed to taking you all across the globe to discover some of the most exciting cinema the world has to offer, right here in Chicago for two weeks only,” said Michael Kutza, Founder and Artistic Director of the Chicago International Film Festival. “This isn’t your typical Saturday night out at the movies – these are once-in-a-lifetime events. And this year we’ve set up camp in a new Festival Village to create an even stronger sense of community where you can come out, see the films, meet the people who make them, mingle with your fellow film fans, and most importantly see the world in a whole new way.”

 

Louisiana has always has a unique mix of unique culture, great food and wonderful history.  But in recent years the state has thrown financial incentives into the “gumbo” as well.  These film tax credits have provided the “spice” that has propelled Louisiana to one of the top filming spots in the world.


According to state officials, 2008 film production in Louisiana has already outperformed 2007 figures both in terms of total dollars and number of projects.  The news couldn’t come at a better time for Louisiana – a state that has worked hard to find ways to replace the losses in tourism that has hurt the state in the post-Hurricane Katrina era.


Some key facts about Louisiana’s film industry:

More than $2 billion in productions have been filmed in Louisiana since 2002

The total direct impact to Louisiana’s economy is $1.48 billion

The percentage of film budgets spent in Louisiana has risen from 33% in 2005 to 87% for 2007

Film-related jobs in Louisiana have grown at a rate of 23% per year

Over 50 projects were completed in 2007 statewide

An estimated 65 projects will be completed in 2008

Source:   Louisiana Film Office


Success of Key Tax Incentives


The film industry sat up and took notice in 2002 when the Louisiana State Legislature enacted an aggressive film tax incentive program.  Louisiana’s film investor tax credit program offers out of state production companies a tax credit equal to 25% of their spending in Louisiana during film production.  The labor tax credit offers an additional 10% tax credit based on the amount of Louisiana labor employed during the production.